‘Final Report,’ 2024, performance and collaborative reading, Ian Potter Museum of Art, University of Melbourne, Therese Keogh
‘After Firing,’ 2018, graphite, lime, and steel, Centre for Contemporary Photography, Therese Keogh. Photo credit: Christian Capurro
‘Imaged in Absence,’ 2019, four channel video installation, Firstdraft, Therese Keogh
‘The Spoil Grounds,’ 2024 public symposium and boat charter, Port of Newcastle, Awabakal and Worimi Country, organised and hosted by Therese Keogh. Photo credit: Lucy Parakhina
Un Magazine issues ‘19.1: Resonant imaginaries and sound clashes’ (Ed. Lucrecia Quintanilla) & ‘19.2: We Swear We Saw This. Drawings about Notebooks and Notebooks about the Wor(l)ds’ (ed. Azza Zein), un Projects, 2025–26. Series design and typesetting by Dennis Grauel and Zenobia Ahmed.
‘Discipline Papers,’ selection of issues designed by Dennis Grauel, 2023–2025. Series design and risograph printing in collaboration with Zenobia Ahmed.
‘Making Sense,’ 2019, posters and publications featuring Rodney, a typeface developed for the exhibition by Dennis Grauel
‘MIP’, collaborative typeface traced from situated maps in public workshop at ACE, 2022. Facilitation and font production by Dennis Grauel.
‘PICA ERASED,’ working image: pangram and type specimen, Therese Keogh and Dennis Grauel, 2026.
‘PICA ERASED,’ pangram type specimen posters on studio door, developed as gifts for collaborators in ‘PICA ERASED’ project, Therese Keogh and Dennis Grauel, risograph prints on paper, 2025.
